Miller ICA
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213
Gallery Hours
We are currently closed to the public
Free + Open to the Public
Sign up to receive news updates.
Miller ICA
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213
Gallery Hours
We are currently closed to the public
Free + Open to the Public

Grant Kester
3 Rivers 2nd Nature team, Ala Plastica, Navjot Altaf, Christine Brill & Jon Kline, Jackie Brookner, Stephanie Flom, Helen Mayer Harrison & Newton Harrison, Walter Hood & Alma Dusolier, Huit Facettes Abdoulaye Ndoye, Ichi Ikeda, Constance & Tom Merriman, A. Laurie Palmer, Park Fiction, Platform, Ann Rosenthal, Susan Steinman & Suzanne Lacy, WochenKlausur
Agricola De Cologne, Fernando Garcia-Dory, Processing, Christina McPhee, Amy Franceschini/ Free Soil, Lillian Ball, Christina Ulke, Marc Herbst, Aviva Rahmani
"We live in an era of unprecedented environmental transformation.
Unfortunately, the vast preponderance of this change is negative: from the relentless decimation of animal species to the ravages of a global warming so dire that even the Pentagon has admitted it as a real threat. It is not surprising, then, that artists have sought to address ecological concerns in their work. Artists throughout the modern period have turned to natural themes (often through the rhetoric of landscape), and have also claimed a special affinity with the world of nature. What is more unusual in recent art practice is that this essentially representational relationship to nature has been supplemented by a commitment to direct intervention. Building on the tradition established by earth art pioneers such as Helen and Newton Harrison, Agnes Dennis, and Alan Sonfist, artists over the past decade have developed a remarkable range of projects that offer concrete solutions to specific ecological problems ranging from brownfield reclamation to the survival of family farms.
Groundworks: Environmental Collaborations in Contemporary Art provided an overview of recent projects, bringing more established practitioners into conversation with emerging groups in the United States, England, Africa, Austria, Japan and Argentina. This generational dialogue overlay a set of geographic exchanges, in which artists working in western Pennsylvania exhibited in the context of a growing national and international environmental art movement. The exhibition was supported by the Studio for Creative Inquiry at Carnegie Mellon University. It also featured documentation from a series of long-term residency projects in which national and regional artists worked collaboratively with the residents of communities and neighborhoods in the Monongahela river valley.
Over the last two decades the field of environmental art practice has become increasingly diverse, with works ranging from traditional sculpture and public art to performance and new media.
Groundworks focused specifically on two, often interrelated, areas of current practice. First, we presented works that are generated through a collaborative or participatory approach in which the inhabitants of specific sites are actively involved in a process of physical and creative transformation. Drawing inspiration from the history of performance art as well as the traditions of radical planning, these projects seek to replace the mastery of the conventional planner or artist, with an openness to the specific realities of site and subjectivity embodied in a given environment. We also focused on projects that seek to directly engage the mechanisms of policy and planning that govern the use of a given eco-system. These may include professional planning agencies, government officials, activist organizations and NGOs. In each area of work, the artist helps to craft an interface: between the contingencies of place and the abstractions of space, between the needs of inhabitants and the survival of complex eco-systems, and between the agency of man and the autonomy of nature. In many cases these two tendencies, collaborative process and direct political engagement, are combined in a single work."
Grant Kester, Curator
This is an exhibition about the environment, but it is also an exhibition that explores the boundaries of new art practices.The exhibition, catalogue and associated conference seek to address questions of policy, efficacy and impact when artists work within a social, ecological and political context. The exhibition presented artworks that are, in effect, case studies in social, ecological change. This will be interpreted in terms of new ideas in dialogic aesthetics, as well as in terms of impact and efficacy at a local level.
For more information, visit the Groundworks website.
Groundworks artist symposium, October 14 & 15
The keynote speaker will be Tom Finkelpearl, with curator Grant Kester delivering closing remarks. Additional speakers will include Jackie Brookner, Alma DuSolier, Stephanie Flom, Ground Zero, Helen and Newton Harrison, Walter Hood, Ichi Ikeda, Suzanne Lacy, Connie and Tom Merriman, Park Fiction, Ann Rosenthal, Susan Steinman, and 3 Rivers 2 Nature.
The symposium is free and open to the public.