Miller ICA
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213
Gallery Hours
We are currently closed to the public
Free + Open to the Public
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Miller ICA
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213
Gallery Hours
We are currently closed to the public
Free + Open to the Public
Shannon R. Stratton
Faith Wilding: Fearful Symmetries the first retrospective exhibition of the influential feminist artist who played a key role in the formation of the Feminist Art Program at California State University in Fresno in 1970 and at California Institute of the Arts in Valencia in 1971.
Wilding was a major contributor to the historically significant month-long collaborative installation Womanhouse, sited in an abandoned mansion in Los Angeles in 1972, where she performed her highly celebrated work Waiting.
Faith Wilding: Fearful Symmetries includes a selection of works from Wilding’s studio practice spanning the past forty years, highlighting a range of works on paper – drawings, watercolors, collage and paintings – exhibited together here for the first time. Taking up key, allegorical imagery in Wilding’s work, the exhibition focuses on themes of “becoming,” both the transformative event itself, and the threshold to transfiguration. This state of in-between-ness is articulated through imagery of leaves, the chrysalis, hybrid beings, and liminal circumstances themselves, such as “waiting,” the subject of Wilding’s two prominent performances Waiting and Wait-With.
Wilding’s work manages to be both delicate and harsh in its exploration of the pivotal moment between private revelation and public manifestation. Viewed together in this exhibition, her work makes a powerful impression about psychological and physical transition and transformation. In the depiction of the chrysalis and the embryo, for example, gestation is suggested, while in imagery of tears, wounds, and “recombinant” bodies, emergence and materialization are pronounced. The sum of these parts provides a unique account of how themes of emergence were central to Wilding’s articulation of feminism, and her own reflections on a childhood growing up in an intentional Christian commune.
The exhibition will be accompanied by a publication featuring original writings by Irina Aristarkhova, Mario Ontiveros, and Faith Wilding.
Faith Wilding: Fearful Symmetries is a traveling exhibition curated by Shannon R. Stratton in collaboration with Faith Wilding. The exhibition originated at Threewalls in Chicago, Illinois in January 2014 with an archive, reading room and screenings curated by Abigail Satinsky. It has since been exhibited at: Rhodes College, Memphis, Tennessee (September 5 - October 4, 2014); Pasadena Armory Center for the Arts, Pasadena, California (September 26, 2015-January 3, 2016) and University of Houston-Clear Lake Art Gallery, Houston, Texas (September 2 - December 8, 2016).
Faith Wilding: Fearful Symmetries. Installation view at Miller ICA. Photo: Tom Little.
Faith Wilding: Fearful Symmetries. Installation view at Miller ICA. Photo: Tom Little.
Faith Wilding: Fearful Symmetries. Installation view at Miller ICA. Photo: Tom Little.
Faith Wilding: Fearful Symmetries. Installation view at Miller ICA. Photo: Tom Little.
Faith Wilding: Fearful Symmetries. Installation view at Miller ICA. Photo: Tom Little.
Faith Wilding: Fearful Symmetries. Installation view at Miller ICA. Photo: Tom Little.