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Miller ICA
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213

(412) 268-3618 miller-ica@andrew.cmu.edu

Gallery Hours
We are currently closed to the public

Free + Open to the Public

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Miller
ICA
Miller
Institute For
Contemporary Art
Miller Institute For Contemporary Art
Exhibition

Hacking / Modding / Remixing as Feminist Protest

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Duration
January 28, 2017 - February 26, 2017
Curator

Angela Washko

Artists
Addie Wagenknecht (Frank-Ratchye STUDIO for Creative Inquiry Fellow 2014), Anne-Marie Schleiner, Annina Rüst, Cat Mazza (CMU Alumna, SoArt 1999), Channel Two, Dara Birnbaum (CMU Alumna, SoArch 1969), Elisa Kreisinger, Kathy High, Lynn Hershman Leeson, Mary Flanagan, micha cárdenas, Morehshin Allahyari, Myfanwy Ashmore, Olia Lialina, Rachel Rampleman, Rachel Simone Weil, RAFiA Santana, Skawennati, Soda Jerk and VNS Matrix, Sondra Perry, and Suzie Silver (CMU Professor of Art)

HACKING / MODDING / REMIXING as Feminist Protest is an exhibition of twenty two artists, designers and developers working at the intersection of art and technology to intervene on dominant voices in tech and popular culture, producing critical works that give visibility to women's perspectives and experiences often marginalized, ignored, or dismissed.

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Dara Birnbaum, Kiss The Girls: Make Them Cry, 1979 (video still)

Angela Washko is an artist, game developer and organizer devoted to creating new forums for discussions of feminism in spaces frequently hostile toward it. Since 2012, Washko has operated The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft, an ongoing intervention inside the most popular online role-playing game of all time. 

Washko’s practice has been highlighted in Art in America, Frieze Magazine, Time Magazine, The Guardian, ArtForum, the New York Times and more. Her projects have been presented nationally and internationally at venues including Kiasma Museum of Contemporary Art (Helsinki), Los Angeles Museum of Contemporary Art, the Milan Design Triennale, and the Shenzhen Independent Animation Biennial. Her writing has been published in Creative Time Reports, FIELD Journal of Socially Engaged Art Criticism, Copenhagen University Peer Reviewed Journal, Neural Magazine, VASA Journal of Images and Culture, .dpi Feminist Magazine of Art and Digital Culture and more.

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Addie Wagenknecht, Optimization of Parenting Part 2, 2012 (video documentation)

Additional support for Hacking / Modding / Remixing as Feminist Protest comes in part from the Frank-Ratchye STUDIO for Creative Inquiry, the CMU School of Art, and Conflict Kitchen.

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Lynn Hershman Leeson, Lorna, 1979-1984.

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micha cardénas, Becoming Dragon, 2009. (video documentation)

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Sondra Perry, My Twilight Zone Thing, 2015 (video still)

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Hacking / Modding / Remixing as Feminist Protest. Installation view at Miller ICA.

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Hacking / Modding / Remixing as Feminist Protest. Installation view at Miller ICA.

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Hacking / Modding / Remixing as Feminist Protest. Installation view at Miller ICA.

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Hacking / Modding / Remixing as Feminist Protest. Installation view at Miller ICA.

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Hacking / Modding / Remixing as Feminist Protest. Installation view at Miller ICA.

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Hacking / Modding / Remixing as Feminist Protest. Installation view at Miller ICA.

Miller ICA
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213

(412) 268-3618 miller-ica@andrew.cmu.edu

Gallery Hours
We are currently closed to the public

Free + Open to the Public

Terms & Conditions, Colophon
Sign up to receive news updates.